As I write this, I am waking up on my first day at the Jentel residency in Banner, WY. I’m here for a month to work on one of my six foot wide prairie paintings, and I’m looking forward to turning off my phone, unplugging from the internet, and taking a digital detox while I focus on this amazing opportunity to paint with no distractions. Before I go, I wanted to post a quick update and share my work from the past month. I’ll post again at the end of the month before I go to the American Prairie Reserve for a week of plein air painting and research in September.
APPLETON FARMS COMMISSION, IPSWICH, MASSACHUSETTS
PLUM ISLAND COMMISSION, NEWBURYPORT, MASSACHUSETTS
I spent three days on Plum Island making studies for a commission. This is a hidden gem on the North Shore of Boston. Thirteen miles of protected sand dunes, beaches, forest, and marshes provide an important habitat for many species of migratory birds and other wildlife. There are also public beaches for surfing, swimming, and fishing. The painting I am working on depicts a sand dune in the foreground of the view from my client’s house. Below are three of the studies I made while researching different options for the commission idea. We settled on the sand dune in the end.
HUDSON RIVER FELLOWSHIP, WHITE MOUNTAINS, NEW HAMPSHIRE
After visiting Plum Island and delivering the Appleton Farm’s commission in Ipswich, I drove north to drop in on the Hudson River Fellowship. For five years in a row, I participated in this month-long painting residency, and for three years following that, I’ve tried to drop in for a few days. During these summers, I really honed my landscape painting technique, made new friends, and felt challenged by the motivated and skilled artists that this fellowship brings together. This summer, I could only manage one day, but I was grateful for that.
RABBIT ISLAND, LAKE SUPERIOR, UPPER PENINSULA MICHIGAN
On July 20th I went to Rabbit Island, an artist residency in Michigan’s U.P. that was started by my partner Rob Gorski. Each year, 3-5 artists are selected to spend several weeks creating work on the 90 acre island, which is located in Lake Superior, 4.5 miles from the mainland Keweenaw Peninsula. (The deadline for 2016 applications is August 26th, by the way!) Artists live in a simple lean-to structure, cook over a coleman stove or a campfire, and create work in the outdoors. There is no running water or electricity. Rob and I overlapped for one or more days with three of the artists – Beau Carey, a painter from New Mexico, Noam Enbar, a musican from Tel Aviv, and Josephina Munoz, an installation artist from Chile. We also did a lot of fishing, painting, projects around camp, and spent time exploring the mainland.